Rishte kabhi aasaan nahi hote. Kabhi pyaar aur vishwas ka safar itna ulajh jata hai ke samajhna mushkil ho jata hai ke kya sach hai aur kya jhooth. Riddhi aur Neil ki kahani bhi aisi hi hai — jaha pyaar, dard, aur balidan ke beech aik aisa mod aata hai jo puri zindagi ka rukh badal deta hai.
Ek Mod Par Aaye Rishte
Kahani ki shuruat hoti hai jab Riddhi, Neil ke samne talaaq ke kagaz rakh deti hai.
“Rupi, kya kehti ho? Talaaq?” Neil ki aankhon me hairani bhar aati hai. Par Riddhi ke chehre par aasoon nahi, balke aasoon ke peechay aik pakka faisla dikhta hai.
“Neil, main ab aur nahi jee sakti. Main ne kya kya nahi kiya... lawyers pakdaye, khud ko marwaya... lekin ab bas. Main ab aur nahi lad sakti,” Riddhi ke alfaaz kamzor nahi, balke dard aur aasoon ka sangam hain.
Neil samaj nahi paata ke kya hua, kyun Riddhi aik dam is safar se peechay hat rahi hai.
“Ye kya hai? Talaaq ke kagaz? Main ne to socha tha ke humara pyaar kamzor nahi... kya humara saath itna aasaan tha ke aik kagaz ke saath khatm ho jaye?”
Riddhi ke aansoon aur Neil ki puri duniya ke aasoon aik saath gir rahe hain, lekin Riddhi ke aasoon ke peechay aik aas hai... aik aas ke Neil kamzor na ho.
Neil Aur Riddhi Ke Beech Ki Deewar
Riddhi ke faislay ke peechay aik aur shakhs ka saaya hai — Saheli.
Saheli, jiska asli chehra ab tak chupaa hua tha, ab samne aa gaya hai.
Riddhi ne dekha ke kaise Saheli ne Neil aur uske rishte ke beech jhooth aur dhokay ki deewar khadi ki.
Neil ko aik jhoote ilzaam ke saath jail ki sulakhon ke peechay dakhil kiya gaya, aur Saheli ke jhooth ne puray khandaan ko kamzor kar diya.
“Neil,” Riddhi ki aas bhar aati hai jab wo yaad karti hai ke Neil ne kya kya nahi kiya unke pyaar ke liye. Par ab waqt aa gaya tha ke wo apne saath ke liye khamoshi nahi, balke sach ke liye laday.
Neil ke aasoon kamzor nahi hain, balke us pyaar ke aasoon hain jo har dard sahne ke baad bhi kamzor nahi hua.
Saheli Ka Jhooth Aur Maa Ka Dhoka
Saheli ka asli chehra tab samne aata hai jab Riddhi aur Neil ka saath kamzor nazar aata hai.
Saheli ne puri koshish ki ke wo Neil ko jail ke andar hi rakhe aur Riddhi ko kamzor kar de.
Ek jagah wo kehti hai:
“Main sabse clever hoon... sabse badi player hoon is khel ki!”
Par ye hi alfaaz uske khilaf aik din sabse bada saboot ban jate hain.
Ek aur jagah, Riddhi ki maa ke kirdar ne puri kahani ko aur bhi ulajha diya. Ek maa jo apni beti ko sudhaarne ke liye uspar hath utha leti hai, aur apne hi damad ko fasane ke liye puri planning karti hai. Maa ke is andhere pyaar ne Riddhi aur Neil ke rishte ko kamzor kiya, lekin kamzor nahi bana saka.
Riddhi ki maa ne socha ke Neil aur Riddhi ka rishta kamzor ho jaye, lekin wo ye nahi samajh payi ke sach aur pyaar ka rishta kamzor nahi hota.
Courtroom Ka Aakhri Mod
Kahani ka climax court ke andar likha gaya. Jab Neil kamzor ho chuka tha, aur Riddhi kamzor dikh rahi thi, tab aik recording ne puray case ka rukh badal diya.
Ye recording Saheli ka asli chehra duniya ke samne le aayi.
Saheli ka jhooth aur saazish puray darbar ke samne aayi aur court ne dekha ke asli jurm kisne kiya.
Neil ko izzat ke saath riha kiya gaya aur Saheli ko uske kiye ka saza sunayi gayi.
Riddhi aur Neil ke aasoon kamzor nahi the, balke puray safar ki takat ban gaye.
Riddhi ka wada sach hua:
“Main tumhein azaadi dilwa kar rahungi, Neil.”
Aur akhirkar wo din aaya.
Jail Se Azadi, Aur Pyaar Ki Jeet
Ye kahani sirf aik talaaq ke kagaz ke aasoon tak seemit nahi, balke aik puray safar ki kahani hai jaha jhooth aur sach, kamzori aur himmat, kamzor pal aur aas ki ladai chalti rahi.
Neil aur Riddhi ka pyaar kamzor nahi hua, balke aur mazboot ho kar samne aaya. Jab puri duniya kamzor nazar aayi, tab unke aasoon aur himmat ne puray safar ko kamiyabi ke mod tak pohnchaya.
Saheli ke jhooth ki saza puray khandaan ke liye aik sabaq ban gayi ke pyaar kamzor nahi hota, aur sach kabhi chup nahi sakta.
Kahani Se Hum Kya Seekh Sakte Hain?
Pyaar kamzor nahi, kamzor banane wale kamzor hote hain.
Riddhi aur Neil ka rishta kamzor nazar aaya, lekin aas ki kiran ne unko jeet dilayi.
Sach ke aasoon kamzor nahi hote.
Jab jhooth aur saazish puray aasman ko dhak lete hain, tab sach ke aasoon hi aasman saaf karte hain.
Ek Maa Ka Pyaar Kabhi Kabhi Zeher Ban Sakta Hai.
Maa hone ka Matlab samajhna, samajhana aur maaf karna hai — zabardasti kamzor banana nahi.
Technology Kabhi Kabhi Sabse Bada Saboot Ban Jati Hai.
Ek recording, jo saheli ke jhooth ka purdah faash karti hai, puri kahani ka rukh badal deti hai.Conclusion
Ye puri kahani un logon ke liye aik paigham hai jo apne rishton ke safar me kamzor ho jate hain. Jab aas kamzor ho jaye, aur aasoon aansoon ban jayein, tab yaad rakhein ke Sach Kabhi Nahi Marta aur Pyaar Kabhi Nahi Harta.
Neil aur Riddhi ka safar humein yehi sikhata hai ke:
“Sach aur Pyaar ka saath ho, to duniya ki har deewar gir jati hai!”
